We look forward to assisting you in acquiring a piece
that resonates with your taste and passion.
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Email: [email protected]
Whatsapp: +989912778730
Garnella's artworks
↓
We look forward to assisting you in acquiring a piece
that resonates with your taste and passion.
↓
Email: [email protected]
Whatsapp: +989912778730
Title : Women In The Cage Of Words
Artist: Negar Barzegar
Art Style: Abstract & Calligraphic Painting
Art Medium: Acrylic & Gold Leaf on Canvas
Dimensions (cm): Height-120.00, Width-120.00, Depth-4.00
Color: Black, Gold, White, Orange
Year of Creation: 2025
This artwork is a fusion of abstract calligraphy and figurative painting, inspired by Iranian art, history, and the concept of suppression, delivering a social statement. A detailed analysis of the piece reveals that the artist has not only focused on visual form but has also embedded profound concepts within the composition, colors, and visual elements.
Calligraphy as a Tool of Suppression or Liberation?
In this piece, calligraphy serves not only as an aesthetic element but also reflects a paradoxical concept. On one hand, the Persian letters, drawn with fluid and powerful lines, symbolize cultural identity and the grandeur of Iranian art. On the other hand, these same lines intertwine in a way that transforms them into a visual chain, silencing the mouths of women. This contradiction points to the role of language and culture in imposing silence on women—sometimes stemming from laws, and at other times from traditions and societal discourse.
Qajar Women: Hollow Splendor or Bitter Truth?
The faces of the women in this work evoke portraits from the Qajar era. This historical reference is a deliberate and clever choice, as women of that period, despite their ornate appearances and elaborate adornments, were confined behind the veils of royal harems. Their gazes in the artwork appear at times intense and meaningful, and at others vague and bewildered. This reflects the internal struggle of women between a desire for freedom and the constraints imposed upon them.
Playing with Geometry: Freedom or Visual Cage?
In the background, geometric shapes and intersecting lines create an enclosed space. While calligraphy is inherently a free art form, here it becomes a rigid framework that restricts the women’s space. Red squares, like seals of silence, cover sensitive parts of the composition, reinforcing the message that certain truths must never be spoken.
Inversion and the Instability of Identity
One of the faces in the artwork is painted upside down. This inversion signifies the distortion of women’s identity, the disregard for their reality, and the creation of an unrealistic image of them in history and culture. This technique serves both an aesthetic and conceptual purpose, pointing to the historical misrepresentation of women’s roles.